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Opera “Champion” Tells Story Of Bisexual Boxer Emile Griffith



Terence Blanchard's groundbreaking musical, "Champion," highlights the poignant and challenging life story of bisexual boxer Emile Griffith. As an innovative work of art, "Champion" not only resonates deeply with audiences across multiple demographics but also serves as a rare and powerful exploration of black and LGBTQ identity within the realm of musical theatre. In this article, we will delve into the importance of this production for both the black and LGBTQ communities, particularly focusing on the implications and intersectionality that arise from Emile Griffith's multifaceted experiences.



photograph of boxer Emile Griffith
Emile Griffith was a professional boxer. His best-known contest was a 1962 title match with Benny Paret

Emile Griffith's remarkable journey began in the U.S. Virgin Islands, where he was born in 1938. Later, he migrated to New York City to work in the garment industry, where he was ultimately discovered for his boxing talent. As an athlete, Griffith achieved great success, becoming a world champion in two weight classes and leaving a lasting mark on the boxing world. However, his life outside the ring was laden with adversity as he navigated his black and LGBTQ identities in a time of rampant prejudice and discrimination.


Terence Blanchard's "Champion" is a musical adaptation of Griffith's life that delves deep into the personal and societal challenges he faced. The play is an artistic celebration of the complexities inherent in Griffith's story, with the powerful score by Blanchard and a compelling book by Michael Cristofer. Together, they create a dramatic portrayal of the intersections of race, sexuality, and sports in mid-20th century America.




"Champion" goes beyond the scope of traditional musicals by addressing the challenges faced by Emile Griffith as a black, bisexual man. The play confronts the discrimination and prejudice he experienced and explores the complex ways in which his identities intersected. In a time when black and LGBTQ characters were rarely represented in the arts, "Champion" breaks new ground by offering a nuanced and authentic portrayal of these lived experiences.

Notably, the play emphasizes the importance of representation and self-acceptance. As Griffith comes to terms with his bisexuality, he is forced to confront societal norms and prejudices both within and outside the boxing world. Through its powerful storytelling and emotional resonance, "Champion" creates a space for audiences to contemplate and empathize with Griffith's struggles.



"Champion" serves as a crucial platform to challenge stereotypes and raise awareness of the unique issues facing black LGBTQ individuals. The play delves into topics like toxic masculinity, the fetishization of black bodies, and the impact of mental health issues, offering audiences a glimpse into the intersecting issues faced by black LGBTQ individuals like Emile Griffith. By doing so, "Champion" cultivates a better understanding and fosters empathy and solidarity.


Terence Blanchard's "Champion" is a poignant and powerful exploration of the life of Emile Griffith that celebrates the rich tapestry of black and LGBTQ identities. The musical serves as a testament to the resilience and strength inherent in these communities, and it challenges audiences to consider the intersections of race and sexuality within the context of a broader society. By shining a light on the life of an extraordinary individual like Griffith, "Champion" reminds us of the importance of representation, storytelling, and self-acceptance in the pursuit of a more equitable and inclusive world.


“Champion” will run at The Metropolitan Opera in New York City from April 10 to May 13. It will also show live in movie theaters around the world on Saturday, April 29, at 1 p.m. ET as part of the “The Met: Live in HD” series.

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